Analysis of the Representations of Contemporary Korean Films Through (new) Orientalism and Feminism

Abstract

The dissertation titled "Analysis of the Representations of Contemporary Korean Films Through (New) Orientalism and Feminism" examines how contemporary Korean films perpetuate gender inequality and misogyny by portraying women using the lenses of feminism and (new) Orientalism. The portrayal of female characters in these films often reinforces gender stereotypes and objectifies women, reflecting the societal gender inequality and misogyny in Korea. Moreover, the recognition of such films by Western film festivals perpetuates these harmful stereotypes and reinforces them within Korean society. The dissertation aims to conduct a methodical examination of gender-related social phenomena, with a specific focus on investigating the correlation between violence depicted in visual mass media and entrenched misogyny. It also aims to delve into the history of modern Korea and its interactions with Western nations, exploring the power dynamics between them. As such, the research consists of two parts: the first section analyzes acclaimed Korean films in Western film festivals, while the second employs a theoretical framework of (new) Orientalism, feminism, institutional critique, post-colonial studies, and cultural studies to examine the imposition of Western cultural standards and power relations on Korean society.

Short biography

Yela An obtained her Magister degree in Post-Conceptual Art Practices, under the guidance of Prof. Dr. MarinaGrzinic, at the Academy of Fine Arts Vienna in 2017. Currently, she is pursuing her doctoral degree in Philosophy at the same institution, with a research focus on a diverse range of fields, such as Asian feminism, (New)Orientalism, and Ornamentalism. Her research delves into the portrayal of Korean women in films directed by Korean filmmakers, exploring how they are depicted through external stereotypes that are reinforced by the occidental gaze.